Selected Writing

‘There’s Just No Excuse for What Memoir Does to the People in Our Lives’: An Interview with Margaret Kimball  Hazlitt

Not Something Jane Austen Would Have Done: On Whit Stillman’s Metropolitan and The Last Days of Disco  In The Mood Magazine

‘Experiencing Joy is Revolutionary’: An Interview with Randa Jarrar Hazlitt

Comedian Catherine Cohen Wants You To Feel Less Alone BUST

Ammonite Overlooks The Real Life Story Of Paleontologist Mary Anning BUST

Resistance Revival Chorus’ Debut Album This Joy Is The Perfect Antidote To Your Election Day Anxiety BUST

How Has Anna Wintour Reportedly "Sidelined And Tokenized" People Of Color At Vogue? New Exposé Reveals A Toxic Workplace BUST

Women Of Netflix's GLOW Share Letter Asking For Better Representation Prior To Cancellation BUST

Canadian Judge Challenges Justice System In Case Of Indigenous Women Charged With Drunk Driving BUST

The Women's Prize Excludes Akwaeke Emezi With Transphobic Requirements BUST

Feminine Singular: On The Women In Frances Ha, Girlfriends, and Broadcast News The Strand

The Uncertain Future of Campus Media: What Will Ford’s Cuts Mean For Student Journalism? The Strand

To Thine Own Self Be True: The Value Of Your Past Selves The Strand

Agnès Varda, For The Love Of Cinema Shameless

Art For Art’s Sake: The Hype Surrounding Yayoi Kusama’s Infinity Mirrors The Strand

TIFF Review: Lady Bird The Strand

The National Ballet of Canada's Pinocchio: Hybridized Ballet The Dance Current